The miniseries produced by Netflix combines both by giving leading roles to female characters, some of them gay, while reflecting on homosexuality. Ang Lee’s work broke new ground not only in Westerns but also in industrial cinema by making homosexuality visible, while Gavin O’Connor’s showed the possibility of a woman playing the leading role in a classic Western. Taking the figure of the Marlboro Man as a prototype, this study carries out an analysis of three selected case studies: Brokeback Mountain, Jane Got a Gun and Godless, two films and a miniseries with main characters that do not follow heteronormative masculinity. Especially because, as André Bazin said, the Western is “cinema par excellence” (1966) and its analysis allows a reflection on cinema itself. In a social and film context where gender equality is increasingly important, it is worth looking at the evolution of the genre in recent years. ![]() Westerns are one of the most masculine and stereotypical of film genres. This book is fascinating reading for any student or scholar interested in sport and leisure studies, sociology and gender or women's studies. Drawing upon feminist thinking and intersectionality, it shows how women from different social classes and age groups consume the spectacle of sport. Including original research on football and rugby union in the UK, it looks at the increasing opportunities for women to become sports fans in contemporary society and critically examines the way this form of leisure is valued by women. This groundbreaking study is the first to focus on the phenomenon of the feminization of sports fandom. This book tackles these shortcomings in the literature and sheds new light on the many ways in which women become sports fans. Watching professional sport is important for women for so many reasons, but their expectations and experiences have been largely ignored by academics. Women fans have entered the traditionally male domain of the sports stadium in growing numbers in recent years. In conclusion, the chapter suggests that there is scope in future research to identify men’s experiences that stand outside of monogamous-focused relationships. In other words, this group of men that should embody classic masculine penile centred sexual subjectivity found satisfaction beyond this widely attributed characteristic of men. Finally, one of the surprising results to emerge from the data collection was the ways in which men who seek sex online tended not to want penetrative vaginal sex. It then highlights the issues of emotional investment and the intensity of sexual encounters experienced by these men. The chapter begins by discussing the difficulties of researching online sex seekers and then explores the ways in which men understand sex seeking through risk and risk avoidance. The semi-structured telephone interviews with 11 publicly identified heterosexual men highlight the difficulties of describing sexual encounters organized online as lacking emotional depth. The chapter focuses on men who use the internet specifically to have sexual encounters. This chapter explores the world of online sex seekers. (4) La organización social y de género de la vista. Los materiales empíricos provienen del estudio autoetnográfico «La producción social y de género de los sentidos. Ello nos permite evidenciar de forma explícita los límites de dichos mandatos de género, su actuación y su vínculo con el deseo y el placer. Si en la vida cotidiana lo que cubrimos es para poder hacer visible lo que no puede ser visto, en la sauna enseñamos lo que no debe ser visto. En dicho espacio funciona de modo inverso el mecanismo del vestir. ![]() Qué se puede ver y qué no, cómo se ve y qué se enseña de las corporalidades desnudas. Focalizamos la atención en la sauna porque introduce un aspecto particularmente relevante en la construc-ción de los mandatos de género de las corporalidades hegemónicas y disidentes, en este caso masculinas. Lejos de ser un acto espontáneo, libre y reflejo, la visión está sometida a un proceso institucionalizado de género. Analizamos los componentes normativos que regulan la visión y la mirada en un ves-tuario y una sauna de hombres de un gimnasio mixto.
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